![]() Several details in the warriors’ equipment are noteworthy, particularly the crouching lion that forms the shield blazon of the right-hand warrior and the apotropaic, or evil-averting, eye that decorates the leather apron hanging from his opponent’s shield. Alternatively the scene may depict Aphrodite protecting her Trojan son Aeneas from the onslaught of the Greek Diomedes. Their duel, described in Book 22 of the "Iliad," was a popular subject among Athenian vase painters. Attributed to the Underworld Painter (Greek (Apulian), active about 340 - 310 B.C.) Terracotta 63.5 cm (25 Apulian Red-Figure Volute Krater (The J. The most likely contestants in this battle are the Greek hero Achilles and his Trojan adversary Hector. Paul Getty Museum Collection) 330320 B.C. One advances with lance poised, while the other falls backward with sword drawn in self-defense. Here a goddess with a diadem, holding a spear, intervenes in a combat between two warriors. The obverse of the Cincinnati krater depicts one such episode, taken from the Homeric cycle on the Trojan War. As a ceramic artist, the Niobid Painter was interested in depicting specific themes and historical episodes drawn from mythology and epic poetry. Experts have attributed this large krater, a receptacle for mixing wine and water, to the Niobid Painter, an Athenian red-figure artist of the mid-fifth century B.C. ![]()
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